Tommy’s entrance was straight out of a B.B. or an Albert King show. The band opened up with an instrumental and then introduced Tommy, who then introduced the band, and off they went. Starting with a rocking boogie sound, and with the keyboards, I was immediately reminded of Savoy Brown from the early ’70s, when he had Paul Raymond on keyboards, as well as the John Lee Hooker influence.

While most bands usually front just the lead guitarist, this band was reminiscent of the original Elvin Bishop Group with Stephen Miller on keys. Castro shared solos with keyboard/pianist Mike Emerson, each taking turns dominating the material. This broke up the sound by featuring two soloists that added intensity to the music. The audience was treated with both the heavy organ and the old-fashioned 88s sound from the traditional Chicago Blues sound from the ’50s and ”60s, of the likes of Otis Spann. The rhythm section was a driving force, keeping impeccable time.

The band started with their older material and then showcased material from their new LP. That’s right, 33 rpm LP. Usually bands sell their CDs, same with Tommy, but they also were selling real records. The audience was treated to a nice slow blues from the new release and the band went back to their older material. They performed an excellent version of the old soul staple “I Can’t Get Next to You” and ended the set with Buddy Miles’ “Them Changes,” showing their funk side.

Tommy Castro & the Painkillers played for two hours, and if you have an opportunity to see him, take it— you will not be disappointed.

—Glenn Bohan