Farmer’s Almanac, Brother Dege Legg’s sprawling, Southern concept album, explores the unique mysteries of small towns with otherworldly slide guitars and barn-burning anthems. “Bastard’s Blues”
Recognized in two industries, both as a musician (Grammy-nominee for Quentin Tarantino’s Django Unchained) and a writer (Louisiana Press Award 2004, 2008) Legg remains an outsider artist, clashing with the pecking orders, prejudices, and parochial narrow-mindedness that thrives in small towns.
Legg’s Robert Johnson-on-Thorazine-style slide work paired with his droning-rural psychedelia has brought the backwoods sounds of Louisiana (hurricanes, cows, cicadas) to life. Of this cut, Brother Dege told Elmore: “Bastard’s Blues is what you get when the little guy goes up against the nepotism, pettiness, and violence of the machine. It’s also a prison song for the modern age but set in the noose of the past.”
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