Artist:     Bobby Rush

Album:     Sitting on Top of the Blues

Label:     Conqueroo

Release Date:     8/16/2019

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Until humankind discovers the fountain of youth, we’ll have to make do with the music of Bobby Rush. On Sitting on Top of the Blues, the 85 year-old chitlin’ circuit legend overflows with passion and joy. Rush’s sly, jovial personality and inimitable vocals take center stage on a collection of tunes that mix the blues with touches of funk and soul. While the spotlight is on Rush, credit also must be given to Mississippi blues veteran Vasti Jackson. Whether producing, arranging horns or lending his formidable instrumental chops, Jackson works feverishly behind the scenes on every track. Jackson’s deft touch helps make Sitting on Top of the Blues the perfect showcase for Rush’s larger than life talent.

The proceedings kick off with “Hey Hey Bobby Rush,” a mix of autobiography and bravado in the great blues tradition. The horn section, arranged by Jackson, adds a touch of soul and Jackson contributes some downhome resonator guitar licks. The energetic, polished arrangement is well suited for airplay. Humor and storytelling have always been an essential part of Rush’s music. “Get Out of Here (Dog Named Bo)” is an endearing tale of a young Bobby Rush getting chased by a man who didn’t want his daughter to marry a blues singer. Jackson, doubling on bass and guitar, and organist Patrick Hayes lay down an airtight groove. Rush’s music has always emphasized lyrics and a groove over instrumental prowess, but “Bobby Rush Shuffle” shows that he’s no slouch as a soloist on harmonica. Barrelhouse piano riffs from Joe Krown keep the energy level high.

Anyone familiar with Rush’s stage show knows that he’s a performer who doesn’t shy away from sexuality. The steamy, sensual “Slow Motion” may do more to ignite the listener’s libido than anything the pharmaceutical industry has to offer. Keiko Kamaki’s gorgeous keyboard work turns up the thermostat. The tempo picks up on the ribald “Shake Til’ You Get Enough.” Rush’s gleeful, double entendre-laden lyrics will put the spark back into any relationship. Jackson, who doubles on guitar and keyboards, demonstrates some serious funk chops.

Even as he enjoys critical acclaim and gigs headlining festivals, Rush hasn’t lost the charm and rambunctious humor that makes his music unique. Sitting on Top of the Blues is a wonderful celebration of an American musical treasure.

—Jon Kleinman